The Definitive English Text of the Third Edition of The Roman Missal

30 April 2010
FOR IMMEDIATE RELEASE

The Bishops of the International Commission on English in the Liturgy [ICEL] join me in welcoming the announcement of the approval by the Congregation for Divine Worship and the Discipline of the Sacraments of the definitive English text of the Third Edition of The Roman Missal. This news ushers in the final phase of preparation for the publication and implementation of the Missal in our eleven member Bishops’ Conferences and the many other territories where the sacred liturgy is habitually celebrated in English.

It also brings to a conclusion the long and complex process by which the translation has been prepared, a process in which the Bishops of the Commission and the Bishops of the English-speaking world, together with the members of the Roman Missal Editorial Committee, the ICEL Secretariat and the translators and consultants who are our closest collaborators have worked together with national conferences and the various organs of the Holy See to ensure that we have a text of the highest quality that can truly be called a work of the Church.

Upon receipt of the definitive text and in accordance with established procedures, the ICEL Secretariat will prepare the electronic files of the Missal, which will assist Conferences in the task of communicating the text to their publishers. ICEL has also produced an interactive DVD 'Become One Body, One Spirit, in Christ' [www.becomeonebodyonespiritinchrist.org], which will be of great assistance in the catechetical process that will accompany the reception of the new text. The date for the publication of The Roman Missal and its implementation in our territories is a matter to be determined by Bishops’ Conferences in conjunction with the Holy See.

I would like to take this opportunity to thank all those who have put their gifts at the service of the Church in the great endeavour of producing the new translation, men and women whose faith is matched by the refinement of their scholarship.

+Arthur Roche
Bishop of Leeds
Chairman

h/t The New Liturgical Movement

Sursum Corda: The Youth Classical Schola

Last Saturday before the historic Pontifical Mass at the National Shrine, I had the honor of directing the children's schola which chanted during Bishop Slattery's vesting. The schola combined my own Alexandria, VA, St. Louis Church's Youth Classical Schola and the Chorus from St. Ann's Academy in DC. In the weeks leading up to the Mass, I spent a good deal of time on the road, rehearsing with St. Ann's, to produce a unified sound.

The children sang Veni, Creator Spiritus, Adoro Te devote, and Regina caeli. I think they sang their best--which, many say, is beautifully--and under challenging circumstances.

The event was marked with controversy and strife. The originally planned celebrant did not say the Mass, for reasons that have been widely publicized. From my perspective, the Mass had certain less-than-optimal earmarks of any inaugural event. There were little glitches here and there, and some problems communicating. My guess is the communication issues had most of all to do with everyone's relative uncertainty. It is difficult to do something complex and new, because there is no established routine. Meanwhile, everyone's goodwill and effort was evident, and the pleasure of collaboration can make little glitches seem unimportant. The second time will be much easier, and, God willing, under much less public pressure and scrutiny.

From the time when the discussions of my schola's involvement first began, the organizer who was my principle contact spoke of his strong sense that children's voices would be essential at this Mass. While I agreed, I had no idea at the time that his sense would turn out to be quite so prophetic and urgent. Given the publicity, and given the scale of the atrocity of crimes that have been committed against children, the sweet sound of children's singing, which always lifts my heart, can be a balm for all of us. Their pact with the Church, after all, is unbroken. They are safe, they serve, they learn. Our experience in working together has been not only positive but joyous, a microcosm of the excellent ecclesiology of Catholicism as it is played out in so many ways around the world.

I hope that joy was evident in their sound.

Why should liturgical music be excellent?

...In monastic terms, the liturgy is the path towards an exalted “ecstasy”, a flight into the cloud of unknowing, the place where God is, and where the true contemplation of the creative stillness of God is possible.

And this is a reality which is beyond the ability of historians, theologians, linguists, biblical scholars or even pastoral liturgists to express. Their contributions may even hinder rather than help. The intensity and intangibility of this experience can only be expressed through the arts.

This is why music of quality is a critical element within the life of the Church. It is a necessity, not a luxury. It is neither a frivolous confection nor an elitist distraction from the real business of faith. Music of quality, in the context of worship, does not entertain or divert. It reveals...

http://www.timesonline.co.uk/tol/comment/faith/article7106502.ece

Teaching chant

Pontifical Mass April 24th

The Pontifical Solemn Mass at the Basilica of the National Shrine

April 24, 2010 at 1PM

Join us as Vatican prelate Dario Cardinal Castrillon Hoyos performs the first traditional mass held at the Basilica in 50 years in celebration of the fifth anniversary of Pope Benedict's innauguration.

Spread the Word

Urbi et Orbi